S is for Syncopation

S is for Syncopation
Musically, syncopation is defined as a disturbance or interruption of the regular or expected rhythm, or the placement of accents where they wouldn’t normally occur.  I suppose that this definition would also be generally appropriate for dances that have basic patterns which include only the basic timing of quicks and slows in their basic patterns:  waltz, foxtrot, rumba, and country 2-step would all be examples.  But what about cha-cha and polka?  Their basic patterns include a triple step or 3 steps stuffed into 2 beats of music.  Hustle?  It includes 2 steps stuffed into 1 beat of music.  All are examples of syncopations in dance:  more steps than ‘normal’ danced in a beat or two beats of music.

But what is my favorite definition of syncopation?  The extra steps or fancy footwork that a more advanced dancer uses to correct (or cover up) a mistake!  What?  Who me?  Oh no…that wasn’t a mistake….that was a syncopation!  Why yes….I thought it was pretty interesting too.  Thank you! (smirk!) 

Dance of the Day:  Salsa

Mix together:

6 Roma Tomatoes, chopped
4 garlic cloves, minced
2 seeded and minced jalapenos
½ onion, chopped fine
1 TBS olive oil
Juice of 1 lime
Salt, pepper, chopped fresh scallions, chopped cilantro, chopped parsley, to taste

Serve with tortilla chips.

Consume on breaks between dances while dancing Mambo “on the 1” to really fast 4-count Latin music!

Q is for Quandary

Q is for Quandary...

Yes, life got in the way of my best intentions and I wasn't prepared for the A-Z challenge with all my blogs in a row and scheduled to post on the correct day whether I was paying attention or not.  So, now I am in a quandary as to whether to scramble and try to finish the alphabet before Monday...

Dance of the Day:  Quickstep!

Waltz patterns danced to slow foxtrot timing (slow-quick-quick and slow-quick-quick-slow) very, very fast!  And, it is simply the most fun of all the ballroom dances (in my opinion, of course).

K is for KISS!

K is for Kiss

KISS….Keep It Simple Silly…or alternately…what can happen when you drift to the right out of proper dance frame and find yourself toes to toes, knees to knees and …lips to lips with your dance partner! 

So since the second option is pretty obvious (although the mechanism of how we got there sometimes isn’t), let’s contemplate the first option! 

 I’ll admit that I am not a step junkie.  If fact, quite the opposite and much to the irritation of several coaches and a couple of dance partners, I really don’t find much joy in learning to dance the steps or patterns by myself backwards and in high heals!  And when I am dancing, I am much more impressed by a leader that has great timing and musicality than one with a bunch of badly led steps! 

I am inspired by learning to be a really good follower and being able to follow any of those patterns.  But actually learning to dance each one of them on my own seems overwhelming if not impossible, backwards and not that much fun.  So, whenever it was really necessary, I would learn short sequences of difficult or highly choreographed (un-lead-able) choreography for my various competition routines and know that if my leader blew out of the routine that I had just learned then I would have to follow whatever he led that had no resemblance to the original routine anyway so what was the point?…sigh. 

And then somehow, I found myself starting to teach.  And, in my opinion, if you can’t dance it you shouldn’t be teaching it…so that left me in a bit of a bind because I really needed to learn to lead quick and that meant, drats, learning patterns.  Oh dear, what now? 

Fortunately for me…and anyone who wants to learn to dance but is overwhelmed by the thought of learning all those different patterns for each different dance…at least at the social level, nearly every pattern that can be danced in one dance can be danced in more than one dance and sometimes in many dances…so there aren’t that many to learn after all!  And that is where the simplicity comes in…learn to execute a pattern proficiently, study the timing of the dance that pattern comes from, choose another dance, usually from the same family of dances although not always, study the new dance timing, adjust the timing of the pattern to the new dance and POOF! a new pattern in two dances!  Now we are getting somewhere….if I learn 5 patterns and how to blend them together, then apply the to the different timing of 3 different various dances, I suddenly have plenty of material to lead in each of 3 different dances…I think that even I can get my pattern-phobic head around that concept!

 Don’t believe me?  Try it...Mambo and cha-cha are the same dance but that the “slow” in Mambo is replaced with a “triple step” in cha-cha.  Therefore, anything that can be led in Mambo can be led in cha-cha!  It works because both a “slow” and a “triple-step” take up 2 beats of music and the other action in each of the dances is a rock-step.  That’s just one example but the principle works over and over again….just keep it simple…don’t try to learn bunches of patterns for every dance…just learn good basic dance technique, understand the principles of structure and timing in each dance you want to learn and learn to execute a few patterns really well….then change the timing of each pattern to fit the timing of each dance that you want to dance suddenly dancing isn’t so overwhelming after all…even for us pattern-phoebes!

Why Don't Men Dance?

Opps…that’s a rather broad generalization that will quickly get me in trouble because some men do dance…for which those of us who dance with them are extremely grateful!  APPLAUSE! APPLAUSE! 

But at every social dance (ballroom, swing, country, salsa, tango – it doesn’t matter) I have ever been to, there are almost always more women dancers than men.

So, more accurately, why don’t the men who don’t dance, dance?

Clearly since I am not a man that doesn’t dance, I don’t have a clue why the men that don’t dance, well…don’t dance…but I have been told a few different reasons (yup…now I am adding hearsay to generalization…the more literary inaccuracies, the merrier)!  And here are my top 5 (along with my unsolicited thoughts in response):

1)      I’ve got two left feet.  (Really?  Fascinating!  Where do you buy your shoes?  And who really knows whether or not the orientation of your feet would actually have any bearing on your ability to dance?)

2)      I wasn’t born with rhythm.  (Neither was anyone else!  Have you ever seen a newborn counting ‘quick, quick, slow, slow’ to the sound of his mother singing a lullaby? Rhythm and timing are learned skills.  Were you born knowing how to throw a football?)

3)      I don’t want to.  (Possibly, but why not?  What is the real reason that you don’t want to dance?  Some good possibilities do come to mind, but they are somewhat unusual.  In what other public situation do you get the opportunity to hold the a woman you may not know for 3 minutes, direct her movements like a puppeteer directs a puppet as you whisk her around the floor, and have her smile, say “thank you” and ask if she may have another when its over?   No….I asked about PUBLIC situations!)

4)      I don’t know how.  (Well, now we are getting somewhere! But I still think there is something missing.  You see, the guy who told me this one had just bluffed his way into a new job that was way above his ability level with a really grand “of course I know how to do that!” attitude about something that he barely know what was, let alone how to do it! Huh?)

5)      Maybe guys can fly.  (If I could fly…ahh but I can’t)

6)      ??????   (I am sure there are many, many more reasons…please drop me a comment and share your thoughts!)

I think the reason that men who don’t dance, don’t dance is that they are afraid. 

I am pretty certain that the one thing that really drives modern man is his fear of looking bad (much different than his ancestors’ fear of being eaten by a saber tooth tiger…back then looking good to the tiger was a very bad thing!).  Even worse, would be his fear of looking bad in front of one or more women.  And, oh dear, worst of all would be his fear of looking bad in front of one or more women that he likes or loves or wants to like or love!

Unfortunately, if we have to admit that no one is born knowing how to dance and that in order to learn we need to go to classes or take lessons, then we are going to have to risk looking bad while we learn to dance.

The good news?  Everyone else in those classes is taking the same risk and struggling with the same fears and concerns.  Dance classes are a very safe place to risk looking bad, so long as they are taught by a good instructor (but more on that some other day).  So…modern men unit!  Be brave!  Make many women happy (that alone should be worth the risk)!  Find a good partner dance class and LEARN TO DANCE!