A to Z Challenge

Showing posts with label pattern. Show all posts
Showing posts with label pattern. Show all posts

Saturday, April 28, 2012

R is for Repetition, Repetition, Repetition!

R is for Repetition, Repetition, Repetition
I think that one the most frustrating thing about learning to dance was that I was so excited about it that I wanted to be really good at it NOW!  Everyone around me made it look so easy and I felt like such a klutz!  And it seemed to take forever for me to learn even the simplest movement.  I couldn’t even remember which foot went where let alone put them there fast enough to keep up with my partner.  Why was it taking sooooo long and why didn’t I just “get it”?

When I started taking classes and lessons, I always wondered why the pattern or technique that was being taught would seem reasonably comfortable by the end of the class, but be foggy by the next evening when I tried use it at a social dance and completely gone by the follow week when I went back to class.  Then slowly, the earlier basic movements and techniques that I learned became second nature and they were replaced by more complex and difficult movements that continued to torture my self confidence and belief that I could learn to dance!  The trouble is that at the time I didn’t realize that I had accomplished anything so I continued to beat myself up on my inability to learn and really, looking back, spoiled the joy of the journey of learning.  (I really think this is why kids learn things faster than adults…they look at the process as playtime!)  

Dang…how could I be such a slow learner?  Of course, the answer is that I wasn’t necessarily a slow learner, I just hadn’t done enough repetitions to get the movement into my muscle memory so that I could execute it without thinking and go on to think about new challenges.

So…how many repetitions does it take to get a movement into muscle memory?  (And, while we are at it, how many licks DOES it take to get to the center of a Tootsi Pop?)

According to a 1991 book called Motor Learning by Drs. Schmidt and Wrisberg, it takes 300 to 500 repetitions to burn a new movement into muscle memory!  (Muscle memory is the body’s ability to execute a movement without consciously thinking about how to do it.)  That is just one movement…not a complex dance pattern or technique which might include several different movements!  To put those numbers into perspective let’s consider my favorite dance:  Country 2-step.  A slow country 2-step that would normally be danced at a country bar has a tempo of about 150 beats per minute.  Assume that a dance lasts 3 minutes.  That would be 450 beats/dance.  If a dance couple only danced the 2-step basic (2 quicks and 2 slows, down line of dance in close dance position, leader going forward and follower going backward) that would be 6 beats/basic pattern or 75 basic patterns per dance.  If the only movements they were trying to master was 1) the “2 slow steps”, and 2) the “2 quick steps” (and thus ignoring all the fine muscle control to hold dance position), than it would take at least 600-1000 repetitions of the basic pattern to burn the required movements into muscle memory.  At 75 repetitions of the basic pattern/song the couple would have to dance 8-14 songs, doing nothing other than a correct basic pattern to put the 2-step basic into muscle memory!!  Add in variations like turns or syncopations, each with several movement components and well….do the math…we just aren’t going to learn to dance in a couple of hours!

Oh…and a bit of bad news….the number of repetitions required to erase a bad habit and replace it with the correct movement?  3000-5000!!!  (Note to self…learn it correctly the first time!)

The good news….dancing is an amazing life long journey and social hobby!  Getting those movements into muscle memory isn’t painful at all!

Dance of the Day:  Rumba

Rumba is the slowest of the International Latin dances that are danced competitively.  It is danced to 4-count music and has a basic pattern timing of slow-quick-quick.  It is a beautiful, sensual dance of Cuban origin that was introduced to Europe and the United States in the early 1950s. 

Thursday, April 12, 2012

K is for KISS!

K is for Kiss

KISS….Keep It Simple Silly…or alternately…what can happen when you drift to the right out of proper dance frame and find yourself toes to toes, knees to knees and …lips to lips with your dance partner! 

So since the second option is pretty obvious (although the mechanism of how we got there sometimes isn’t), let’s contemplate the first option! 

 I’ll admit that I am not a step junkie.  If fact, quite the opposite and much to the irritation of several coaches and a couple of dance partners, I really don’t find much joy in learning to dance the steps or patterns by myself backwards and in high heals!  And when I am dancing, I am much more impressed by a leader that has great timing and musicality than one with a bunch of badly led steps! 

I am inspired by learning to be a really good follower and being able to follow any of those patterns.  But actually learning to dance each one of them on my own seems overwhelming if not impossible, backwards and not that much fun.  So, whenever it was really necessary, I would learn short sequences of difficult or highly choreographed (un-lead-able) choreography for my various competition routines and know that if my leader blew out of the routine that I had just learned then I would have to follow whatever he led that had no resemblance to the original routine anyway so what was the point?…sigh. 

And then somehow, I found myself starting to teach.  And, in my opinion, if you can’t dance it you shouldn’t be teaching it…so that left me in a bit of a bind because I really needed to learn to lead quick and that meant, drats, learning patterns.  Oh dear, what now? 

Fortunately for me…and anyone who wants to learn to dance but is overwhelmed by the thought of learning all those different patterns for each different dance…at least at the social level, nearly every pattern that can be danced in one dance can be danced in more than one dance and sometimes in many dances…so there aren’t that many to learn after all!  And that is where the simplicity comes in…learn to execute a pattern proficiently, study the timing of the dance that pattern comes from, choose another dance, usually from the same family of dances although not always, study the new dance timing, adjust the timing of the pattern to the new dance and POOF! a new pattern in two dances!  Now we are getting somewhere….if I learn 5 patterns and how to blend them together, then apply the to the different timing of 3 different various dances, I suddenly have plenty of material to lead in each of 3 different dances…I think that even I can get my pattern-phobic head around that concept!

 Don’t believe me?  Try it...Mambo and cha-cha are the same dance but that the “slow” in Mambo is replaced with a “triple step” in cha-cha.  Therefore, anything that can be led in Mambo can be led in cha-cha!  It works because both a “slow” and a “triple-step” take up 2 beats of music and the other action in each of the dances is a rock-step.  That’s just one example but the principle works over and over again….just keep it simple…don’t try to learn bunches of patterns for every dance…just learn good basic dance technique, understand the principles of structure and timing in each dance you want to learn and learn to execute a few patterns really well….then change the timing of each pattern to fit the timing of each dance that you want to dance suddenly dancing isn’t so overwhelming after all…even for us pattern-phoebes!